Sound and Story Resources
As I was doing research for the first Sound and Story workshop , I discovered a bunch of cool resources that combine sound and story. Here are a few I wanted to share with you.
Apogee MiC: A Review – by Ryan Trauman
STRENGHTS: Extremely Portable. Sounds fantastic. Great build quality. Cardioid pickup pattern. Device-powered.
WEAKNESSES: No headphone monitoring. Records one-person at a time. Price (though a good value).
RECOMMENDATION: For portability, durability, and sound quality, it’s a great option.
An Audio Interface for the iPad: The Focusrite iTrack Solo – by Ryan Trauman
Let’s be honest. An iPad, on its own, isn’t great for audio recording. The onboard microphone can’t possibly capture good quality audio, and there’s no effective way of monitoring your audio as your record it. And yet the iPad still holds some powerful allure for many digital storytellers. Believe me, I get it. The mobility. The build quality. The compact restraint of the tablet form. The tactility of the touch interface. The constant stream of fascinating new recording apps. It’s a wonder iPad audio recording hasn’t already taken off.
Enter the iTrack Solo digital audio interface from Focusrite. The iTrack Solo allows you to connect your own external microphone to your iPad and to monitor your audio input as you’re recording. What makes the iTrack Solo such a useful tool (or any external audio interface, really) is that the it does all the digital audio processing inside the unit itself before sending the audio data to the iPad.