The (somewhat uncomfortable) Process of Digital Storytelling, and Teachable Moments
No big deal, I thought. As a historian, I pretty much write and tell stories for a living.
But then the story specialists at StoryCenter taught the other institute participants and I *how* to write a script for digital storytelling, and I began eyeing the door. Not because it was too big or difficult, but because it was so small and succinct. How was I going to tell a full story worth hearing in fewer than 250 words? I've probably written longer sentences than that!
Writing Women into History – by Kayann Short
“Where are the women?” is the question behind Women’s History Month each March. The absence of women from much of recorded history and scholarship has left gaps that undermine women’s progress toward equality. While the conditions under which women’s history has been lost, erased, and suppressed may be familiar—prejudice of all sorts; sexual violence; second class status; lack of time and resources—such conditions continue to impact the inclusion of women in private and public discourse today.
To Stand Now Is to Tell Our Stories – by Tommy Orange
I’ve been so excited about the good work being done through the All Together Now workshops across the country. Thinking back, I can’t really say I’ve had an opportunity – or I haven’t seen it – to take a stand, and to engage in the necessary civil disobedience required to go against the American grain. Even if it’s “only” telling our stories. If telling our stories is subversive to an ultimately damaging master narrative, then let our voices be like a march, and let them be heard by as many people as possible.
Authentic Voice – by Mary Ann McNair
I remember my first assignment at the Colorado History Museum when I started working in the education department there many years ago. I was twenty-five years-old, recently returned from graduate school in Tucson to my hometown of Denver, and ready to get to work.